Bells on Sand Trophy Eyes with rare black and white

with rare black and white photographs from the 1973 – 1974 tours of the UK and the USA taken by Jill Furmanovsky

Maren Morris & Grey

“All of This Will End feels more true to me than anything ever has

A1: Flat Backin

Bells on Sand Trophy Eyes with rare black and whitePianist & composer Gerald Clayton explores the impact and abstraction of time on his ravishing 2nd Blue Note album Bells On Sand, which features contributions from mentor Charles Lloyd on saxophone, father John Clayton on bass, longtime friend and peer Justin Brown on drums, and new collaborator MARO on vocals. Each musician on the record represents a different aspect of the axis of time and its shifting sands, says Clayton. My father and Charles